The Cromwell Museum is home to the best collection in the world of items relating to Oliver Cromwell. We have a collection of nearly a thousand objects including paintings and works of art, arms and armour, personal items, written and printed documents, coins and medals and commemorative items relating to Cromwell’s life and times.
Around 70% of our collection belongs to the Museum; 10% is kindly loaned to us by other museums and institutions including the Royal Armouries, Cambridgeshire Archives and the Museum of London.
Just under 20% of our collection is on long term loan to us from the Bush family, Cromwell’s immediate descendants. We are very grateful for their ongoing support and kindness in sharing their incredible collection of items which have been handed down through the family over the last 370 years.
This section provides more information about just some of the highlights of the collection; most of the items here are part of our regular displays. We aim to be able to have a comprehensive searchable database of the entire collection accessible via this website over the next couple of years.
About a third of the Museum’s collection is on display at any one time; we welcome enquiries to view other items not currently on show by appointment. Please contact us for more details.
Portrait of Sir Oliver Cromwell, English School, 1647, Oil on Canvas.
This portrait again depicts Sir Oliver Cromwell, uncle of Oliver Cromwell, but now as an old man. By this time, he had been forced to sell Hinchingbrooke House and had been living in Ramsey. He supported the King during the Civil War, against his nephew, and heavily fined, with his estates only being returned to him the year that this painting had been produced.
(Purchased with the support of the V&A Purchase Fund and the Art Fund)
Portrait of Elizabeth Claypole (Cromwell), circle of Sir Peter Lely, c. 1655, Oil on Canvas.
This painting shows Cromwell’s second daughter, ‘Bessie’ who married John Claypole of Northborough Manor near Peterborough. She was arguably Cromwell’s favourite child, and her death in August 1658, probably of cancer, broke her father’s heart and precipitated his own death a month later. Long Term Private Loan.
Portrait of Lady Frances Russell (Cromwell) by John Riley, c. 1670, Oil on Canvas.
Cromwell’s youngest daughter married twice, firstly to Robert Rich in 1657, but he died only a year later. She married again to Sir John Russell in 1663, then after his death lived with her sister Mary and her family. Long Term Private Loan.
Portrait of Mary, Lady Fauconberg, (Cromwell), circle of Thomas Murray, c.1670, Oil on Canvas.
This is a post Restoration portrait of Cromwell’s third daughter, which is similar to a larger example at Newburgh Priory in Yorkshire, the country estate of her husband Thomas Belasyse, Lord Fauconberg. Long Term Private Loan.
Portrait of Richard Cromwell, attributed to John Hayls, c. 1658, Oil on Canvas.
Large sized portraits of Richard are rare, so this painting is unusual. He is portrayed in armour as a symbol of power, despite the fact that Richard never saw any military service. This may therefore have been painted in the brief time he served as Lord Protector after his father’s death. Long Term Private Loan.